The E9#11 seems stranger (not B dorian obviously) - but is explained by the voice-leading: it shares B, D and F# (Bm triad) with Gmaj9, while the G# and A# descend by semitone to G and A. It would normally be another secondary dominant (V/V), but doesn't go to A - and I'm not sure if the move to G makes it a "deceptive cadence", seeing as it doesn't sound like a resolution to me. The E9 is a little odd, maybe, but forms a dorian i-IV with the Bm11.
CARLA BLEY LAWN FREE
An important figure in the Free Jazz movement of the 1960s, she is perhaps best known for her jazz opera Escalator Over The Hill (released as a triple LP set), as well as a book of compositions that have been performed by many other artists, including Gary Burton, Jimmy Giuffre, George.
(Gm-D is a standard minor plagal cadence, iv-I, commonly preceded, as here by the major IV.)Īb7#11 is the tritone sub for V/VI (substitute for D7alt). Carla Bley, ne Borg, (born May 11, 1936) is an American jazz composer, pianist, organist and band leader. There are a few other common jazz functions too: the "backdoor" C9>Dmaj7, which is really the same as the Gm69 earlier on, just given a C bass. The D9 in bar 4 is a secondary dominant (V/IV). It was adapted from Lawns (Kurt Elling, Carla Bley and Sara Teasdale). (Really hard to see how the key could be anything else!) The song Endless Lawns was written by Kurt Elling, Carla Bley and Sara Teasdale and was first released by Kurt Elling featuring Marquis Hill in 2018. 0:00 / 7:52 Carla Bley and Steve Swallow - Lawns thereisnoproblem 1.03K subscribers Subscribe 8.7K Share Save 875K views 14 years ago. It also resolves quite convincingly to D major at other points in the tune: bar 3 and bar 15, and similarly in the second section (bars 19 and 31) - and there's a very strong underlining of the D keynote all through the last 4 bars of each section. Click to expand.Simple answer is it ends on D.
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